But she does not, and it’s flashback time. You carry it with you always.” And if she’d added … like a watermelon we could almost forgive this nonsense. And if that wasn’t “What the huh?” enough for you, Baby herself grabs an orchestra seat to watch, voiceover-ing to herself: “You never forget your first love. It’s also a musical (but only sorta), a melodrama about the decay of marriages, and a clumsy (if well-meaning) treatise on issues ranging from feminism to institutionalized racism.Ĭonfusingly enough, the Catskills-set tale begins with a helicopter shot of…the Manhattan skyline? It’s 1975 for some reason, and a bunch of hastily costumed extras are standing outside a Broadway theater that’s showing a sold-out production of something called Dirty Dancing: The Musical. The 2017 made-for-TV Dirty Dancing manages to be both a grim, workmanlike re-creation of the original – some scenes are rehashed shot for shot – and also a vast extrapolation that bloats the original’s runtime by more than an hour. Wayne Blair and Jessica Sharzer’s remake attempts to be all things to all people, and ends up being nothing to anybody. This is one Baby that should have stayed in the corner. The long, much more painful answer is: You wait 30 years, you throw together a three-hour-long remake, and you put it on ABC – and then after even a cursory check of Twitter, you realize that you should not have even attempted it. So how do you re-create that magic? The short answer is: You don’t. And yet it positively crackled, thanks to Eleanor Bergstein’s deeply personal script, crazy chemistry between leads Jennifer Grey and Patrick Swayze, and the ethereal gyrations of the late, great Swayze. Eighties sensibility (and hairstyles and theme song) shoehorned into a Sixties nostalgia piece, a miniscule budget, a cast of unknowns, and a troubled production – not to mention a heroine named … Baby. #Tv dirty dancing location movie#The original 1987 Dirty Dancing is a movie that worked against all odds.
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